That One Time I Joined The Illuminati
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| Lou Wall |
Mostly Melbourne theatre reviews
27 April 2021
Review: That One Time I Joined The Illuminati
Melbourne International Comedy Festival
That One Time I Joined The Illuminati
That One Time I Joined The Illuminati
21 April 2021
Review: Dig Their Own Graves
Melbourne International Comedy Festival
Dig Their Own Graves
Blake Everett & Oliver Coleman
7 April 2021
Storyville
to 18 April
www.comedyfestival.com.au
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| Oliver Coleman and Blake Everett |
Review: I'm Not a Mime
Melbourne International Comedy Festival
I'm Not a Mime
Patrick Collins
12 April 2021
The Butterfly Club
to 18 April
www.comedyfestival.com.au
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| Patrick Collins |
11 April 2021
Review: Because The Night
Because the Night
Malthouse
9 April 2021
All of Malthouse
The season is sold out, but keep an eye on the website
www.malthousetheatre.com.au
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| "Because the Night" Malthouse . Photo by Pia Johnson |
Hamlet as a choose-your-own-adventure, escape-room, gallery, anonymous-dress-up, wear-comfy-shoes, live-mystery, 1980’s-trip-to-Tassie, deconstructed-text, maze, open-stranger’s-drawers, op-shop-rummage, carnival-spook-house, re-imaging response to the natural world fighting back as humans kill each other for power? Hells, yes!
Welcome to Malthouse’s Because the Night.
The inherent nature of art is a unique experience. Any experience of this immersive experience is impossible to recreate as everyone is encouraged to explore the 30-plus rooms, follow any of the six actors and make their own story.
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| "Because the Night" Malthouse . Photo by Pia Johnson |
Conceived in lockdown, Because the Night is as much director Matthew Lutton’s response to Covid as a response to Hamlet. With a text by Kamarra Bell-Wykes, Ra Chapman and Lutton, this Elsinore is a 1980’s Tasmanian Kingdom forestry town where ancient giant trees are the impending threat. A basic knowledge of Hamlet is assumed*, but it can be enjoyed without engaging with more than the overarching story.
Once bags are put in lockers, everyone in the 60-person audience is given a black cloak and papier-mâché mask to become a ghost – non-distracting identical ghosts haunting the space is a brilliant move – and begin in three different rooms. I saw Hamlet (Khisraw Jones-Shukoor; Keegan Joyce is in the other cast) and kick-arse Ophelia (Tahlee Fereday or Artemis Ioannides) in the gym, and so want to see how it begins for Gertrude (Belinda McClory or Jennifer Vuletic), Claudia (Maria Theodorakis or Nicole Nabout), Laertes (Harvey Zielinski or Ras-Samuel Welda’abzgi) and Polonius (Rodney Afif or Syd Brisbane).
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| "Because the Night" Malthouse . Photo by Pia Johnson |
These six are the only characters and while it’s cool to not be bothered by the outside commentary from the rest of the castle, another way to dive into this story is to be Rosencranz, Horatio or dead King Hamlet and find your scenes. If you miss THE soliloquy, I can’t imagine anyone stopping you from having a go yourself (quietly) when you find Yorick’s skull.
If you really miss the text, it’s all in the design. Dale Ferguson (architecture), Marg Horwell and Matilda Woodroofe (interiors), Kat Chan (costumes), J Davide Franzke (sound) and Amelia Lever-Davidson (lighting) tell Shakespeare’s Hamlet and Because the Night. Explore! Push the “don’t push” buttons feel, watch, touch, open, get lost and listen. The detail is exquisite. From being able to see Claudia on the royal-office phone while hanging out with Gertrude in her flower-clad bedroom to feeling the empty air in front of you as you inch into a pitch-black room, the spoilers aren’t in the story but in the secrets of the design.
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| "Because the Night" Malthouse . Photo by Pia Johnson |
There are clues everywhere. Some are obvious and others would take multiple visits to begin to figure out. But open draws, look in folders, go down anything that looks like it might be a room – I thought I’d found them all; I didn’t. But I found Hamlet’s childhood diary, King Hamlet’s autopsy report and Polonius’s secret bunker. I watched Laertes leave notes, Ophelia hide a weapon and Gertrude run her hands through the dirt of her husband’s grave. I followed actors and was distracted by rooms and lights and sounds. The story is clear no matter what you see or miss, but I knew we were more than half-way though when distraught Hamlet ran past me in a corridor convincing himself that “it was an accident”.
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| "Because the Night" Malthouse . Photo by Pia Johnson |
The breathtaking complexity of Because the Night overcomes any fear of gimmick or even comparison to other immersive works based on Shakespeare. It’s sold out, but that only means that it’s something that Melbourne audiences really want more of. And multiple visits to. So keep an eye on the Malthouse web site for news. And next time, it would be amazing to have an immersive Australian story like Don’s Party, Summer of the 17th Doll or another Cloudstreet.
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| "Because the Night" Malthouse . Photo by Pia Johnson |
* King Hamlet is dead and possibly haunting his castle. His wife Gertrude quickly married the King's brother/sister Claudius/a, who became monarch. His son Hamlet isn't happy. Polonius is advisor to the monarch and has two children, Laertes and Ophelia. Teenagers Prince Hamlet and Ophelia are hot for each other. There’s a lot of angst and the only option for a Shakespearian ending is “everyone gets married” or “everyone dies”.
Review: The Butch is Back
Melbourne International Comedy Festival
The Butch is Back
Reuben Kaye
9 April 2020
Maz Watt's
to 18 April
www.comedyfestival.com.au
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| Reuben Kaye |
08 April 2021
Review: Agony!Misery!
Melbourne International Comedy Festival
Agony!Misery!
Zoe Coombs Marr
2 April 2020
Melbourne Town Hall, The Powder Room
to 18 April (with extra shows at The Forum)
www.comedyfestival.com.au
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| Zoe Coombs Marr |
02 April 2021
Review: On the Origin of Faeces
Melbourne International Comedy Festival
On the Origin of Faeces
Alanta Colley
30 March 2021
The Butterfly Club
to 4 April
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| Alanta Colley |
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