I've been very quiet on here lately. Work has been taking up more time than usual and I don't have the time to review as much as I'd love to. However, I am teaching and I can promise there are lots of terrific journalists excited about writing about theatre in the near future.
So, for the first time in ten festivals, I'm having a quiet(ish) festival. I'm still seeing shows, just not as many as usual. And I'm going to be tweeting instead of reviewing (ok, maybe some Age reviews).
I'm trying to answer every email and I'm sorry if some fall into the cracks in the internet.
It is difficult to get to all the emails. And all the arts writers in Melbourne face the same terrifying wall of emails. A couple of years ago I did Top Ten Tips to Get a Comedy Festival Review and here the are again.
Top ten tips to get a Comedy Festival review revisited
1. Make it personal
“Dear reviewer”, “Hey guys”, “To whom it may concern” says, “I have no idea who you are and
don’t read anything you write”. If you don’t know the name of the person
you’re contacting, are you sure you want them to come?
Sending
cut-and-paste individual emails isn’t much better. I’ve received emails
asking me to review for publications I don’t write for and ones where
my name has changed during the email.
And if you don’t know the person you’re writing to, introduce yourself. Let us get to know you.
2. Know what you want
Do you want your email to result in an interview, a listing, a review,
an opinion piece, a news story, a ticket giveaway, an audition notice …
Tell the writer what you want.
And don’t ask for something that they don't do.
I’ve
had complaints that I wasn't at shows I was “invited” to. Sending a
media release with no other information is NOT an invitation.
3. Write a good subject line
Don’t write a witty or an obscure subject line, write a good one. A good
subject line makes it easy to know what you want (and easy to search
for when we need to check something).
For example:
Invitation: Name of show
Review/interview/listing request: Name of show
Reminder: Name of show (I appreciate reminder emails.)
Follow up: Name of show
Images: Name of show
Media release: Name of show? – see point 2
4. Put the information in the body of the email
A beautifully designed pdf is cool, but make sure that the vital info is
also in the body of the email. Opening an attachment takes time, is
annoying to do on a phone and is one more excuse to move onto the next
message.
Plain text also makes it easier to cut and paste so that names are spelt right.
5. Check spelling and grammar
This festival, I want to read ONE – really, just one – email or media release that has been proofread.
Writers do judge you by your ability to use an apostrophe.
6. Do your research
Read the writer and the publication. What do they like seeing and
writing about? Do they interview? Do they review? Who else do they write
for?
And check if the writer had reviewed the
show/artist before. I’ve had invitations to review shows I’ve already
seen – and not liked. Google really is your best friend.
7. Who, what, when, where
If the name, time, date and place of the show aren’t on your message,
media release, invitation, web page, flyer and everything else about
your show, don’t be upset if people don’t turn up.
8. Find the magic time
There’s a time that’s not too early or too late to make contact. It
differs for everyone. For me, it’s four to five weeks from opening. Too
late and I'm booked up, too early and I'm not ready to commit.
Some
writers, especially those with mainstream publications, need longer,
but a last-minute request can work, especially during a festival.
The secret to finding the magic time: ask the writer.
9. Follow up
A follow-up email is a great idea.
A second follow-up can work.
A third is a waste of time.
10. Be nice
Over 500 other festival shows want reviews. As do the all the other shows on
during March and April. Arts writers love seeing your shows (it’s why we
do this, after all) and try to see as many as possible.
But this means that not everything will get a review.
This
can be a kindness, or it can be because their brains imploded, the
extra day in the week doesn't exist (it takes time to write reviews),
they're sick or there wasn’t room to publish.
Never
assume the worst, don’t get shitty and be happy with a tweet. And
remember that a lot of word-of-mouth really is word-of-mouth.