Showing posts with label Nicholas J Johnson. Show all posts
Showing posts with label Nicholas J Johnson. Show all posts

09 April 2015

MICF: Jonestown

Guinea Pigs
Jonestown
1 April 2015
Portland Hotel
to 19 April
comedyfestival.com.au

Jonestown: Sarah Jones & Nicholas J Johnson

Sarah Jones and Nicholas J Johnson are Jonestown (it's funny every time). In Guinea Pigs, they are trapped in a lo-tech, hi-laugh sci-fi experiment that tests their friendship and takes the double act not quite to the final frontier but surely where no one has been before.

Their debut show, Pajama Party, was nominated for the 2014 Golden Gibbo (best MICF indie production) and they were helped with a Moosehead Award (a grant for "mental and overly ambitious" comedy) to make this show.

Captured by a mystery nutter/genius, Sarah and Nick have known each since from high school and, with the help of the audience, re-visit their school and university days to figure out how they found themselves in an unescapable box in an unescapable box of a theatre in the Portland Hotel.

The straight–stooge (Nick–Sarah) double act is comedy where every laugh relies on the other person to make it work. Adding story, mystery and shadow puppetry (yes!) to sketch and stand-up, the chemistry between these two is as cool as a bicarb and vinegar volcano, and as illogically exciting as opening a bottle of fizz that might have been rolling around the floor of a car.

Because I said it on Twitter, so it must be true: A heap of stars.



12 April 2014

MICF: Em, Nick and Sarah, Alasdair, and Jesus

MICF
Divorce the Musical!
Em Rusciano
comedyfestival.com.au

Pajama Party
Nick and Sarah
comedyfestival.com.au

Success Arms
Alasdair Tremblay-Birchall
comedyfestival.com.au

Come Heckle Christ
Jesus
comedyfestival.com.au
6 April 2014



Sunday night at MICF. Trades Hall, Swanston Hotel, the Forum and the Tuxedo Cat. I started with the awesome Em Rusciano, whose Catholic upbringing offered a couple jokes about going to hell, and ended the night heckling Jesus, who will always welcome Em – and me and all the sacriligious – with open arms.


I kind of remember Em Rusciano from Australian Idol and saw her show because I heard good things about her last year. Turns out that she's rather awesome and a performer who's not afraid to share her true – loud, campy and wonderfully scary – self.

But for all her awesomeness, Em hasn't had a good year. And by not good, I mean shit and Divorce the Musical! shares how she got through the shittiest of times, while looking after her daughters, losing her job, packing up the marital home, going to a night club in her mid-30s and dealing with her only band member heading to Canada for love (selfish!).

She did what we all do to cope: swore to get skinny and have lots of sex with gorgeous men (while really eating trays of lasagne and sitting on the couch), made a sequinned bridal outfit guaranteed to attract the most gorgeous of drag queens and party buses on hen's night, and wrote a new show about it. OK, most of us never get past the lasagne.

Divorce the Musical! finds the ideal balance of personal story, stand up and song – she can sure sing – but even the pink sequins can't hide that the content is still close and raw. And it's this vulnerability that gives Em's show the kind of heart that makes it so much more than a series of jokes about losing the love you thought you'd never lose.

And there's Vince. Vince is Em's dad. He's a bloody legend.

But the bitch left me humming "Wrecking Ball" and that's not good in public.


Sarah Jones and Nicholas J Johnson's Pajama Party was only on for a few nights, but hopefully it will be back because it's far too lovely and weird to not be seen by many more lovely and weird people.

Best friends, Nick, a magician, and Sarah, a ventriloquist, have everything they need for a pj party, except guests. But it's not as twee as it sounds. Sure there's an endearing quaintness, but it's quaint from the dark side of the rainbow where the black mangy unicorns have horns dripping with blood and the fairy bread sparkles from the crushed glass.

With a chemistry that makes it seem like they've worked together for ever, the surprises of this show are how many twists Sarah and Nick pull on expected jokes and scenarios. Who knew pass the parcel could be so creepy!



Melbourne comedian Alasdair Tremblay-Birchall gets to perform in the Ladies Room (the nice room where women hang out on the way to the loo) at the Forum. Sure it's small, but even on quiet nights, that has to be neat.

In stand up, there's a hard-to-find line in between showing your self and showing off. Alasdair's Success Arms lost its balance at times, especially as the show is still somewhere between sketch and stand up, but with plenty of good material to work with, he righted himself when he tripped.

He has some genuinely original and very funny material (mostly about his own bumbling stumble into his 30s, adulthood and possible sexual competence), but he needs to work on giving the material a narrative (add joke to story, not story to joke) and to decide if he's going to be a character or himself on stage.


There's only one chance left to Come Heckle Christ this festival. It's on 20 April: the last day of the festival. If his first crowd is anything to go by, you will need to book because Jesus is as popular as ever.

The conceit of this show is simple: Jesus is on his cross and will answer whatever his audience ask.

He rang his mum yesterday morning, Judas is a good kisser, he microwaves his hot cross buns (I KNOW) and he gave me the following words to share:

"Five Stars."

Hey, Jesus told me to say it and as I learnt more in an hour than I did in my 12 years at an Anglican school (including winning the Religious Ed prize in primary school), who am I to argue.

Jesus also says that everyone should see Dr Professor Neal Portenza, who is apparently as genius funny as JC.

This was on AussieTheatre.com.

12 July 2013

Magic Festival reviews

In 2008, The Australian Institute of Magic founded The Melbourne Magic Festival. There are 40 shows at this year's festival, at the Northcote Town Hall, and many are sold out.

Who doesn't love magic and I've never seen this town hall so crowded with happy punters.

During the day, there are plenty of school-holiday shows and at night there are family shows and ones just for adults.

The full program is at melbournemagicfestival.com.

(And yes, some serious wand waving needs to be done to make the website easier to use.)


Beat the Cheat
Nicholas J Johnson and Ben McKenzie
11 July
Northcote Town Hall
to 13 July



Giant dice, a community chest full of secrets and a board game big enough to walk on! Cool.

BUT to win, you have to beat Nicholas J Johnson, Australia's honest conman, magician and self-confessed dirty rotten cheat. It's not as impossible as it seems, especially as host Ben Mackenzie (who can quote the Dungeon and Dragons rule books) might be on your side.

The audience is split into two (I was on the Not Red team) and individuals play for the team (I would have volunteered if Scrabble, Mastermind or Mousetrap had come up). There are dozens of games that are chosen by the air toss of giant dice and Nick knows the rules for every one – and how to bend them.

With magic, games and nerdiness, Beat the Cheat is more fun than Star Wars Angry Birds or a Hungry Hungry Hippos marathon. And it reminds us that games are so much better when you play with real people instead of a screen. Who wants to come around and play Monopoly?

PS. The Not Red team lost by one point because a Red team member realised that it would be ridiculous to not cheat.


In Dreams
Tim Ellis
11 July
Northcote Town Hall
to 13 July


Magic shows are often put in their own category that brings up images of RSL clubs, kids parties and men in capes with awkward young women in sequins. A trip to the Melbourne Magic Festival will banish such regressive and dull thoughts (or at least restricted them to RSL clubs), because this festival is full of magicians and artists who are letting the hat rabbits run free and taking illusion to far more interesting places.

Tim Ellis is the Artistic Director of the Melbourne Magic Festival, he's won prestigious magic awards and is presenting two of his own shows at the festival.

If you're s a grown up who's stopped believing in magic, his 9 pm show, In Dreams, could change your mind.

In Dreams is about unrequited love and never giving up. Ellis is silent and bare foot as he tells a simple and heartwarming story about being in love and losing that love. He uses the same tricks that are seen in most shows, but adds original twists and their place in the story is more important than the illusion.

The result is a personal and moving story of heartbreak and hope told though flawless magic and the kind of love that defies illusion.

Make your parents disappear
Luke Hocking and Alex da la Rambelje
9 July 2013
Northcote Town Hall
to 12 July


It's tough to argue with a 5-year-old, but I have no reason to disagree with my theatre companion, Ella, who thought the best bit of Make your parents disappear was when they "went outside for no reason", but generally thought it was "really good".

So good that she convinced her mum that she needed their magic book so she could learn some tricks at home and impressed me all afternoon by pulling a plastic pink ring out of my ear.

Magic rocks! Luke and Alex are best-known for their adult shows as two thirds of A Modern Deception, but once they were in grade 5 and grade 3 at magic school and didn't want to go to bed when their mum told them to. They know some tricks, but need something spectacular to keep them out of bed. Luckily the audience suggest that they could make their parents disappear!

As the kids (3–10) sit on the ground and the groan ups sit on chairs, Alex and Luke need help from the audience to do their tricks – and they tend to attract an extremely talented audience – without forgetting that those up the back need to be entertained and are usually determined to see how a trick is done. With these two, they might start believing that it really is magic.

Make your parents disappear is super fun and magictacular. I'd go so far to disagree with Ella and say that it's "really, really good".


The Lucian Swift Chronicles: A tale of magic in Melbourne
Barking Spider Visual Theatre
6 July 2013
Northcote Town Hall
to 6 July


The Flinders Street Station lost and found room used to be in the clock tower. Here collected bags, boxes, brollies and cases that were lost by travellers coming to and leaving Melbourne. Some were united with their owners and some were left to collect dust, unable to tell their story because their person was missing.

A young woman looks through the lost and found treaures. We don't know if she's looking for something she lost, but she finds an old case that belonged to Lucian Swift, the Gentleman Trickster. Trying on his tails and top hat, she discovers his secrets and releases some of his stories that were lost and hidden for so many years.

With alchemy akin to ice cream and sprinkles, magician Jo Clyne worked with director Penelope Bartlau and members of Barking Spider to create this captivating show that combines magic with story and sends love back though Melbourne's history.

It's festival run was short, but let's hope that we see it again – and how amazing would it be to see it performed in Flinders Street Station.


PS. Until seeing this show, it hadn't occurred to me just how many magicians are men and was told how difficult it is to buy magic props for women. Hmmm.  To help fix this balance, I've already taken a 5-year-old girl to see a show and she's promised to show me a trick the next time I see her.

Lucien photos by Sarah Walker




18 May 2013

Beat the Cheat video

Beat the Cheat
July 9–13
Melbourne Magic Festival.

Beat the Cheat is about games and swindles and magic, and with SM fave's Nicholas J Johnson (who's Today Tonight, Tomorrow the World was one of my favourite MICF shows) and Pop Up Player, Splendid Chap and uber nerd Ben McKenzie, you know it's going to be more fun than playing Words With Friends with weird strangers.

And if you're not convinced, watch this.

11 April 2013

MICF review: Nicholas J Johnson

Nicholas J Johnson: Today Tonight, Tomorrow the World
Australia's Honest Con Man Entertainment
2 April 2003
Comedy on Collins
to 20 April (the web site lies, if you're trying to go tonight, 21 April)
comedyfestival.com.au

My unexpected hit of MICF (so far) is Nicholas J Johnson's Today Tonight, Tomorrow the World.

It's about his experience of being invited to appear on channel 7's 6.30 pm muckhole Today Tonight. This is easily the worst show on Australian television for its fear mongering, exploitation and outright lying. At its best, it's embarrassing and at its usual, it exploits more than the exploiters it tries to exposes. But what really upsets me is that people watch it and believe it.

As a magician who exposes cons as Australia's Honest Con Man, Nicholas was invited onto the program to show how easy it is to be conned.  He took the nice cheque and was flown to Sydney to make a segment.

Is Today Tonight as maggot-ridden as it seems or is it run by uber-intelligent folk who know how to reach a certain audience?

The story behind the story is so much better than I imagined – and by better I mean so bad that it should be compulsory viewing for anyone who has ever watched the program or any show claiming to be current affairs.

It's always fun to see behind the scenes, but what makes this terrific story an utter delight is Nicholas's sharing of his own story about how a nerdy kid from Canberra ended up on national tv. And the twist ending? As if I'd even consider giving it away! But it's great.

And you get to hang out at Comedy On Collins, where Candlelight Productions have selected a program of comedy shows for adults that don't rely on the cheap shock of language. Not only is in the gorgeous Scots' Church Assembly Hall, but has the loveliest FOH staff – who ignored my use of words-that-are-not-used in any of their shows as we talked about program and what a great idea it was.

Today Tonight, Tomorrow the World is one of the small shows that could drown in the choice or sell out because everyone who sees it will recommend it to someone else. I'm recommending. It's a 9.30 start, so easy to add to the end of a night or as a start to a late-night festival binge.

This was on AussieTheatre.com