Your Turn 5
Pop Up Playground
19 November 2015
Bella Union
popupplayground.com.au
Game shows are awesome. Live game shows are more awesome. Live game shows where the audience join in are even more awesome again. Live game shows with audience participation hosted by Ben McKenzie are the awesomest. Live game shows with audience participation hosted by Ben McKenzie where Melbourne clever-pants people make fools of themselves made by the Pop up Playground team? Invent your own superlative!
And be at the Bella Union on Thursday 19 November from 6.30 for Your Turn 5. Info here.
If you weren't at Your Turn 3, you missed the wonderful Ming-Zhu Hii and me win bronze. (Highlights above.)
On paper, we look like a winning team, but either we aren't as nerdy as we thought we were or are the sort of people who need a quiet room and thinking time. My personal highlight was not remembering that the fourth Young One was Vyvyan, making a toy diorama of Terminator 2 thinking it was Terminator – which Ming-Zhu still guessed correctly – and our team effort of not being able to pinpoint Washington on a map despite knowing that between us we could answer obscure plot questions about The West Wing and House of Cards.
You can also watch Ming-Zhu in The Ex-PM on ABC.
Your Turn 5 guests are:
Richard Watts from RRR's Smart Arts and Arts Hub
Yvonne Virsik from Monash Uni Student Theatre
Sarah Jones from shows like Jonestown
and
Marcus Westbury, who I don't know, but if he's as smart and funny as the other three, he'll be terrific.
Mostly Melbourne theatre reviews
Showing posts with label Sarah Jones. Show all posts
Showing posts with label Sarah Jones. Show all posts
11 November 2015
09 April 2015
MICF: Jonestown
Guinea Pigs
Jonestown
1 April 2015
Portland Hotel
to 19 April
comedyfestival.com.au
Sarah Jones and Nicholas J Johnson are Jonestown (it's funny every time). In Guinea Pigs, they are trapped in a lo-tech, hi-laugh sci-fi experiment that tests their friendship and takes the double act not quite to the final frontier but surely where no one has been before.
Their debut show, Pajama Party, was nominated for the 2014 Golden Gibbo (best MICF indie production) and they were helped with a Moosehead Award (a grant for "mental and overly ambitious" comedy) to make this show.
Captured by a mystery nutter/genius, Sarah and Nick have known each since from high school and, with the help of the audience, re-visit their school and university days to figure out how they found themselves in an unescapable box in an unescapable box of a theatre in the Portland Hotel.
The straight–stooge (Nick–Sarah) double act is comedy where every laugh relies on the other person to make it work. Adding story, mystery and shadow puppetry (yes!) to sketch and stand-up, the chemistry between these two is as cool as a bicarb and vinegar volcano, and as illogically exciting as opening a bottle of fizz that might have been rolling around the floor of a car.
Because I said it on Twitter, so it must be true: A heap of stars.
Jonestown
1 April 2015
Portland Hotel
to 19 April
comedyfestival.com.au
 |
| Jonestown: Sarah Jones & Nicholas J Johnson |
Sarah Jones and Nicholas J Johnson are Jonestown (it's funny every time). In Guinea Pigs, they are trapped in a lo-tech, hi-laugh sci-fi experiment that tests their friendship and takes the double act not quite to the final frontier but surely where no one has been before.
Their debut show, Pajama Party, was nominated for the 2014 Golden Gibbo (best MICF indie production) and they were helped with a Moosehead Award (a grant for "mental and overly ambitious" comedy) to make this show.
Captured by a mystery nutter/genius, Sarah and Nick have known each since from high school and, with the help of the audience, re-visit their school and university days to figure out how they found themselves in an unescapable box in an unescapable box of a theatre in the Portland Hotel.
The straight–stooge (Nick–Sarah) double act is comedy where every laugh relies on the other person to make it work. Adding story, mystery and shadow puppetry (yes!) to sketch and stand-up, the chemistry between these two is as cool as a bicarb and vinegar volcano, and as illogically exciting as opening a bottle of fizz that might have been rolling around the floor of a car.
Because I said it on Twitter, so it must be true: A heap of stars.
12 April 2014
MICF: Em, Nick and Sarah, Alasdair, and Jesus
MICF
Divorce the Musical!
Em Rusciano
comedyfestival.com.au
Pajama Party
Nick and Sarah
comedyfestival.com.au
Success Arms
Alasdair Tremblay-Birchall
comedyfestival.com.au
Come Heckle Christ
Jesus
comedyfestival.com.au
6 April 2014
Sunday night at MICF. Trades Hall, Swanston Hotel, the Forum and the Tuxedo Cat. I started with the awesome Em Rusciano, whose Catholic upbringing offered a couple jokes about going to hell, and ended the night heckling Jesus, who will always welcome Em – and me and all the sacriligious – with open arms.
I kind of remember Em Rusciano from Australian Idol and saw her show because I heard good things about her last year. Turns out that she's rather awesome and a performer who's not afraid to share her true – loud, campy and wonderfully scary – self.
But for all her awesomeness, Em hasn't had a good year. And by not good, I mean shit and Divorce the Musical! shares how she got through the shittiest of times, while looking after her daughters, losing her job, packing up the marital home, going to a night club in her mid-30s and dealing with her only band member heading to Canada for love (selfish!).
She did what we all do to cope: swore to get skinny and have lots of sex with gorgeous men (while really eating trays of lasagne and sitting on the couch), made a sequinned bridal outfit guaranteed to attract the most gorgeous of drag queens and party buses on hen's night, and wrote a new show about it. OK, most of us never get past the lasagne.
Divorce the Musical! finds the ideal balance of personal story, stand up and song – she can sure sing – but even the pink sequins can't hide that the content is still close and raw. And it's this vulnerability that gives Em's show the kind of heart that makes it so much more than a series of jokes about losing the love you thought you'd never lose.
And there's Vince. Vince is Em's dad. He's a bloody legend.
But the bitch left me humming "Wrecking Ball" and that's not good in public.
Sarah Jones and Nicholas J Johnson's Pajama Party was only on for a few nights, but hopefully it will be back because it's far too lovely and weird to not be seen by many more lovely and weird people.
Best friends, Nick, a magician, and Sarah, a ventriloquist, have everything they need for a pj party, except guests. But it's not as twee as it sounds. Sure there's an endearing quaintness, but it's quaint from the dark side of the rainbow where the black mangy unicorns have horns dripping with blood and the fairy bread sparkles from the crushed glass.
With a chemistry that makes it seem like they've worked together for ever, the surprises of this show are how many twists Sarah and Nick pull on expected jokes and scenarios. Who knew pass the parcel could be so creepy!
Melbourne comedian Alasdair Tremblay-Birchall gets to perform in the Ladies Room (the nice room where women hang out on the way to the loo) at the Forum. Sure it's small, but even on quiet nights, that has to be neat.
In stand up, there's a hard-to-find line in between showing your self and showing off. Alasdair's Success Arms lost its balance at times, especially as the show is still somewhere between sketch and stand up, but with plenty of good material to work with, he righted himself when he tripped.
He has some genuinely original and very funny material (mostly about his own bumbling stumble into his 30s, adulthood and possible sexual competence), but he needs to work on giving the material a narrative (add joke to story, not story to joke) and to decide if he's going to be a character or himself on stage.
There's only one chance left to Come Heckle Christ this festival. It's on 20 April: the last day of the festival. If his first crowd is anything to go by, you will need to book because Jesus is as popular as ever.
The conceit of this show is simple: Jesus is on his cross and will answer whatever his audience ask.
He rang his mum yesterday morning, Judas is a good kisser, he microwaves his hot cross buns (I KNOW) and he gave me the following words to share:
"Five Stars."
Hey, Jesus told me to say it and as I learnt more in an hour than I did in my 12 years at an Anglican school (including winning the Religious Ed prize in primary school), who am I to argue.
Jesus also says that everyone should see Dr Professor Neal Portenza, who is apparently as genius funny as JC.
This was on AussieTheatre.com.
Divorce the Musical!
Em Rusciano
comedyfestival.com.au
Pajama Party
Nick and Sarah
comedyfestival.com.au
Success Arms
Alasdair Tremblay-Birchall
comedyfestival.com.au
Come Heckle Christ
Jesus
comedyfestival.com.au
6 April 2014
Sunday night at MICF. Trades Hall, Swanston Hotel, the Forum and the Tuxedo Cat. I started with the awesome Em Rusciano, whose Catholic upbringing offered a couple jokes about going to hell, and ended the night heckling Jesus, who will always welcome Em – and me and all the sacriligious – with open arms.
I kind of remember Em Rusciano from Australian Idol and saw her show because I heard good things about her last year. Turns out that she's rather awesome and a performer who's not afraid to share her true – loud, campy and wonderfully scary – self.
But for all her awesomeness, Em hasn't had a good year. And by not good, I mean shit and Divorce the Musical! shares how she got through the shittiest of times, while looking after her daughters, losing her job, packing up the marital home, going to a night club in her mid-30s and dealing with her only band member heading to Canada for love (selfish!).
She did what we all do to cope: swore to get skinny and have lots of sex with gorgeous men (while really eating trays of lasagne and sitting on the couch), made a sequinned bridal outfit guaranteed to attract the most gorgeous of drag queens and party buses on hen's night, and wrote a new show about it. OK, most of us never get past the lasagne.
Divorce the Musical! finds the ideal balance of personal story, stand up and song – she can sure sing – but even the pink sequins can't hide that the content is still close and raw. And it's this vulnerability that gives Em's show the kind of heart that makes it so much more than a series of jokes about losing the love you thought you'd never lose.
And there's Vince. Vince is Em's dad. He's a bloody legend.
But the bitch left me humming "Wrecking Ball" and that's not good in public.
Sarah Jones and Nicholas J Johnson's Pajama Party was only on for a few nights, but hopefully it will be back because it's far too lovely and weird to not be seen by many more lovely and weird people.
Best friends, Nick, a magician, and Sarah, a ventriloquist, have everything they need for a pj party, except guests. But it's not as twee as it sounds. Sure there's an endearing quaintness, but it's quaint from the dark side of the rainbow where the black mangy unicorns have horns dripping with blood and the fairy bread sparkles from the crushed glass.
With a chemistry that makes it seem like they've worked together for ever, the surprises of this show are how many twists Sarah and Nick pull on expected jokes and scenarios. Who knew pass the parcel could be so creepy!
Melbourne comedian Alasdair Tremblay-Birchall gets to perform in the Ladies Room (the nice room where women hang out on the way to the loo) at the Forum. Sure it's small, but even on quiet nights, that has to be neat.
In stand up, there's a hard-to-find line in between showing your self and showing off. Alasdair's Success Arms lost its balance at times, especially as the show is still somewhere between sketch and stand up, but with plenty of good material to work with, he righted himself when he tripped.
He has some genuinely original and very funny material (mostly about his own bumbling stumble into his 30s, adulthood and possible sexual competence), but he needs to work on giving the material a narrative (add joke to story, not story to joke) and to decide if he's going to be a character or himself on stage.
There's only one chance left to Come Heckle Christ this festival. It's on 20 April: the last day of the festival. If his first crowd is anything to go by, you will need to book because Jesus is as popular as ever.
The conceit of this show is simple: Jesus is on his cross and will answer whatever his audience ask.
He rang his mum yesterday morning, Judas is a good kisser, he microwaves his hot cross buns (I KNOW) and he gave me the following words to share:
"Five Stars."
Hey, Jesus told me to say it and as I learnt more in an hour than I did in my 12 years at an Anglican school (including winning the Religious Ed prize in primary school), who am I to argue.
Jesus also says that everyone should see Dr Professor Neal Portenza, who is apparently as genius funny as JC.
This was on AussieTheatre.com.
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