12 Steps to Redemption!!
Or God Save The Wau Wau Sisters!!
6 November 2007
The Famous Spiegeltent
They open with an acrobalance/strip to the 70s soft rock anthem “Sister Christian”. It’s sublime in its blasphemy. Character, content and superior skill combines to create superb burlesque. I was ready for something as good as our own The Burlesque Hour.
The Wau Wau’s are astonishingly awesome acrobats and brilliantly bawdy burlesque beauties. But their comedy writing isn’t ready for alliteration. It’s by no means bad. It’s just not as good as the other elements of the show. Lyrics like “I’ll cut the cocaine if you cut the cheese” aren’t as compelling as catholic school girls with stigmata.
I thought they were different characters from scene to scene – until they pointed out it was a through narrative of their life. The characters are original and very funny, but not consistent and are regularly visited by the performers own characters. The “real” Tanya and Adrienne that appear are actually more intriguing and interesting than their fictional selves. I would have liked to see more of them.
Part of their act is being the ditzy girls who don’t understand all that “bullshit” about transitions and timing. Nonetheless their transitions are original, fun and a little bit frightening for audiences who fear participation. And their bad timing is simply perfect.
Their transition from born again country singers (and yes there was the expected “count” joke) to 80s coke fed popsters is wonderful. As is the Duran Duran “Rio” routine which follows. Is there anything better than black humour in bright spotted bikinis? Like the opening, this routine was so much more powerful than their comedy interactions.
See the Wau Wau Sisters just for the opening, Rio and their amazing double trapeze routine. It’s a lot of fun, but it is a series of characters and routines that is developing into a show. It may need a director and a writer to tone the narrative and the characters as tight as their biceps, and make the comedy/skill balance as steady as their one minute handstands.
Photo by Sara Brown
This review appeared on AussieTheatre.com and on GayDestination.net.au.