14 October 2018

MELBOURNE FESTIVAL: Prize Fighter

MELBOURNE FESTIVAL 2018
Prize Fighter
La Boite Theatre

in association with Darebin Arts Speakeasy
11 October 2018
Northcote Town Hall
to 21 October
www.festival.melbourne

"Prize Fighter". La Boite

I don't like boxing. I don't get the idea of violence as sport. And watching the cast of Prize Fighter warming up on stage by sparring with local boxers left me in a strange place of being in awe at their fitness and knowing that I could never – even when I was young and fit – defend myself against that kind of strength.

But this isn't a story about boxing.

It's about masculinity and its connection to strength and fighting.

Writer Future D Fidel is 28 and developed  Prize Fighter when he was playwright in residence at La Boite Theatre Company in Brisbane from 2013 to 2015. It opened at the Brisbane Festival in 2015, was performed at Sydney Festival and a novel of the story has  recently been released. Fidel was born in the Democratic Republic of the Congo (DCR) and fled to Tanzania in 1996 after witnessing the death of his parents and being separated from his siblings. He spent eight years in a refugee camp before being accepted into Australia as a refugee. He spent eight years of his childhood in a refugee camp. He now lives in Brisbane with his brother and sister; it took him six years to find his sister.

It's about war.

Foreign wars rarely gets more than a passing comment in our media. Fictional "African" gangs in Melbourne get front page coverage. Pants-on-fire racist bullshit gets talked about while millions of people living in horror isn't an issue. People forced to flee their countries because of violence and horror are spoken and written about like they had a choice. Theatre shows like this get little media coverage, but it's still more than the people whose stories this show is telling.

Its fiction is the story of Congolese refugee of Isa – called Steve "The Killer" to sound more Aussie – who literally fights his memories and experiences as he fights for a championship belt. Its truth is that it's based on Fidel's experiences and those of others who fled as refugees.

The DCR and neighbouring countries has been involved in civil war since 1996. It officially ended in 2003, but the violence continues.

Most of the fighting is over minerals, especially coltan. Most of the world's coltan comes from the DCR. Colton is used in smart phones, lap tops and TVs. I didn't know that until today. I had no idea how much I've benefited from this war I knew so little about.

I also didn't know that 5.4 million people – a quarter of the Australian population – died as a direct result of that war.

It's about child soldiers.

Isa "The Killer" was ten when his family was killed, disappeared and raped. He lived by becoming a soldier. Ten. Ten year old boys are forced to fight.

I took a nine-year-old to Lexicon, a French circus, last weekend. On the way home in the car, he asked me, "If you could change anything in the world, what would it be?". That's much harder to answer than "Can I please have some popcorn?".

Can I start by wanting to give every asylum seeker in Melbourne a day at the circus where the kids have as much popcorn as they can eat.

Prize Fighter is as harrowing as it is stunning. The flashbacks from the boxing ring – the boxing is real – seem an obvious device but director by Todd Macdonald and the cast of six – Pacharo Mzembe (Solomon and Marion) is Isa; Gideon Mzembe, Margi Brown Ash, Marcus Johnson, Ratidzo Mambo and Mandela Mathia play multiple roles – create an almost unbreakable tension that can only be broken with an emotional gut punch that's far stronger than any knock out blow.

It's a story about Australia.

This is our story and the more we see stories like this explored on our stages, in our art and in our media, the more we may begin to understand that they are our stories and we need to do a lot more to create some less traumatic endings.

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