Review: The Orchid & the Crow

The Orchid & the Crow
Button Eye Productions
13 February 2015
Tower Theatre, Malthouse Theatre
to 22 February
malthousetheatre.com.au

Daniel Tobias. Photo byAndrew Wuttke

Daniel Tobias is almost unrecognisable as Otto Rot of the endlessly wonderful comedy duo band Die Roten Punkte. There's no keytar and makeup in The Orchid & the Crow but there is rock, and rocks, in Dan's story of getting testicular cancer.

When I watched a too-young friend die from cancer, I couldn't watch or hear cancer stories for some time, but I think I would have loved this one. I certainly loved it last night. Loved it to bits.

Ten years ago Dan was 29 and feeling crook. He was asked the same questions by different doctors and was finally diagnosed with stage three testicular cancer, which had spread up to his neck. Yep, stage three (there's no stage five) and it and had spread through the lymph (that's not good). He doesn't have it anymore.

This isn't an earnest story about how to whip the big C. Mixing rock, cabaret and confessional, it's about faith and family, circumcision and being a yes-and-no Jew, and understanding what girls think about balls.

There's no preaching but he does reach out to a god. A god whom Dan found when a nurse handed him a book. A god who overcame the impossible and achieved the more impossible. A god who gave hope to the young man who was facing his very possible death. And if gods aren't for offering hope, what's the point of them?

Lance Armstrong was this god.

Athlete, cancer-beater, charity founder and winner of so many Tour de Frances that some people joked that the only way to do that was to artificially enhance oneself.

Dan's team – who are far more amazing and less injecty than Armstrong's – include Christian Leavesly (director); Casey Bennetto (dramaturg); David Quick (script consultant); and Clare (Astrid Rot) Barthlolomew, John Thorn and Jhereck Bischoff (music).

With such support, Dan's very personal story's been shaped to balance the personal with the distant, and the poignant with the piss-yourself funny, to tell a truth that reaches everyone who's sharing it.

It's gutsy, hilarious and honest. Or go for the song about God telling Abraham about the covenant about chopping bits of penis off.

It's a guaranteed ball.

This was on AussieTheatre.com.

Review: Urban Display Suite

Urban Display Suite
Ross Mollison International
MTC Theatre, Lawler Studio
14 January 2012
to 21 January 2012
mtc.com.au

The zeitgeist bought its three-bedroom deco flat in St Kilda before the boom and has never left. Property prices: you're either smiling as you sip Moet or googling "sell my kidney" and realising that, even with the first home buyers grant,  you need another 25 body parts to get a deposit. Michael Dalley's real estate musical satire Urban Display Suite returns for its third season with a sharp wit that leaves its audiences grinning and ready to buy.

With music co-written with the ever-wonderful John Thorn and joined by the delightfully slimy Lyall Brooks, Gabrielle Quin and Sharon Davis, Dalley continues his astute observations of middle class suburbia with a nearly-too-close-for-comfort review about our obsession with property.

As a renter, even the sight of four pretend real estate agents walking into the theatre is enough to evoke fear and loathing. Fortunately, cabaret favourite Dalley has seen many of them himself and softens the terror with an opening song about the type of people who get that Cert IV in real estate and believe that their jobs are important.

Dividing property owners into bogans and wankers, the rest of us are safe to LOL at post-Federation-Square architecture and spot-on gorgeous songs about McMansion facades and shit art of the Mornington Peninsula. But expect to blush if you're counting on your parents leaving their house to you, and don't be surprised if your inner-apiring-home-owner-bogan agrees that you don't need a personality or a ten-inch penis if you bought before the boom.

Urban Display Suite has extended its season for another week and is a must if you spend your weekend reading Domain.

This review appeared on AussieTheatre.com.

MELBOURNE FRINGE HINTS 6: Musicals

Spring Awakening
MUST, MSA & MAPA

Spring Awakening won a pile of Tony Awards in 2007 and the original cast recording has earned a regular place on my car CD player.

Using a once-banned German play from 1892 and juxtaposing a rock soundtrack from the angry and hurt hearts of its teenage characters, this show made stars of its cast (some of whom are now in Glee) and   is pushing Grease off its perch as favourite musical about teenagers.

This production is director Yvonne Virsik's first musical. Yvonne's direction brings out the subtext and emotional core of writing and she guides inexperienced performers to remarkable performances. As the story of Spring Awakening is in the book and the emotion is in the music, I think she'll bring something unexpected and new to musical direction.

You have to leave the Fringe zone and go to Monash Uni at Clayton to see this, but there's heaps of easy parking and a bus to the door.

Kiss of Death

Kiss of Death hasn't won anything yet, as this is its first run.

Inspired by screwball movies of the 1930s, it's described as a "new screwball rom-com cabaret musical about office romance at a financial services company obsessed by footy tipping".

With Spontaneous Broadway's John Thorn on the writing team, folk like Scott Brennan in the cast and Collette Mann doing the chorey, it's a good bet that it'll be worth getting to.

Fringe Hints 1: Brand New

Fringe Hints 2: Shows for Nerds

Fringe Hints 3: Families are the Best Material

Fringe Hints 4: But I'm Poor

Fringe Hints 5: Cartwheel to the Circus

Fringe Hints 7: Well Made Plays

Fringe Hints 8: Puppets and Letters

Fringe Hints 9: Music and Film

Fringe Hints 10: Church or Laundromat

Review: Spontaneous Broadway

Spontaneous Broadway
2 December 2009
Comedy Theatre

If you hate musical theatre, see Spontaneous Broadway. If you love musical theatre, see Spontaneous Broadway. If you’re indifferent to musical theatre, see Spontaneous Broadway. Just see Spontaneous Broadway. It could be the most fun night you spend in a theatre.

Spontaneous Broadway is improvised musical theatre, with a selection of songs (the audience suggest the titles) and a full performance of the musical chosen by clapometer.

Tonight’s finalists were Another Life Out There, the story of flamboyant Gareth, whose dreams of theatre fame were crushed by Daisy the cow in a milking accident, and his geek brother Graeme, who will always have a spot for his bro on the family farm. Their moving duet ‘Ballarat Beats Broadway’ was a mere whoop and a foot stamp away from winning. But a couple of squeals and some understandable passion to see Julia Zemiro playing a sexed-up young lady left I do, I think as the night’s choice. And the story of Flossy Moss, her posh mum and her faux vegetarian boyfriend will long be remembered for the sleeper hit ‘But he’s a Hari Krishna’ and because Julia can make herself look naked in full stage blacks.

John Thorn and Russell Fletcher brought this San Francisco hit formula down under and were joined by the perfectly perfect cast of Zemiro, Genevieve Morris, Geoff Paine and Ross Daniels. How many performers have nightmares about going on stage and not knowing their lines? These people don’t know their lines until they say them – and they have to sing them! If you like to see improvisers fail, you will be disappointed, because they are so brilliant, it’s hard to believe it’s not scripted.

I’m on my third annual visit and I’ll be back as soon as I can. Adelaide Fringe and Melbourne Comedy Festival are next on the circuit. Book your tickets as soon as you can – and if you don’t crack a rib laughing, check that you’re not dead.

This review appeared on AussieTheatre.com.

Spontaneous Broadway

Spontaneous Broadway
November 8 2008
The Speigeltent

The original Spontaneous Broadway premiered in New York in 1995. The Australian version has been around since 2000 and I’ve yet to see anything as consistently hilarious.

If you like your musical theatre original, controversial and topical, you could become a Spontaneous Broadway addict. There’s no Vietnamese-US angst or French class wars in these shows. Instead there’s the topical anger of a hopeless, privatised train provider that strands thousands of drunk bogans in their fascinators and tuxedo t-shirts, and the inner-city despair of a compromised couple whose relationship might not survive, “Inappropriate carpet burns”

If you feel the urge to release your inner-Sondheim or closeted-Lloyd-Webber, grab a ticket - because your work could be discovered, published, produced and performed at Spontaneous Broadway. The catch is - it’s a once only thrill, as every show is improvised.

Audience members place their song and musical suggestions into the ‘Bucket of Dreams’. As host-extraordinaire Russell Fletcher introduces the show, the cast select their finds. It’s then time for the wonderful Dame Helen Highwater (Genevieve Morris), Chad Bradley (Geoff Paine), Sally-Anne DeFinklestien (Julia Zemiro) and Gordon Supwell (Ross Daniels) to share their improvised numbers, accompanied by the musical genius of John Thorn.

Everyone is as-close-to-perfect-as-you-can-be-when-you’re-making-it-up-on-the-spot, but Thorn’s flawless creations never cease to astound. Zemiro asked for a dramatic, German, dark cabaret number and they created the never-to-be-forgotten “Vomit over my love”, followed by the cast’s rendition of the sing-a-long-in-the-car-until someone-pukes “Are we there yet, Mum” – which I’m still singing at inappropriate moments.

After the tease numbers, the ever-reliable audience clapometer selects the final, mini-musical. One has to wonder why anyone bothers to rehearse when shows this good can be made up in an instant. This week, Flemington was rejected for The Sneeze that Kills. Seeing train-provider Connex pummelled in song was tempting, but the visceral lyrics of “Spitting in the moat” refused to be resisted. And Daniels must be awarded the Rhyme of the Year award for survivor/saliva.

If you managed to miss Spontaneous Broadway at the Melbourne Fringe, don’t despair because there are still a handful of Saturday afternoon performances at The Speigeltent. Just get in early, because, when it’s this good - once is never enough.

This review originally appeared on AussieTheatre.com.

Spontaneous Broadway

Spontaneous Broadway
10 November 2007
The Speigeltent

The plots, characters and tunes improvised in Spontaneous Broadway are more engaging, original and downright hilarious than most popular musicals.
 
I’ve been singing “Chickens Dream Too” all weekend. It was an unknown ballad until Saturday afternoon - when Dame Helen Highwater created it. Spontaneous Broadway is improvised musical theatre.
 
Thank God You’re Here gives telly fans an idea of what impro is about. But compared to Spontaneous Broadway, the TV impro is like paddling in a pool with floaties compared to a swimming Bass Straight in a winter storm, tied to five other people. There are no costumes, supporting cast or film editor to make you look clever on stage.
 
Spontaneous Broadway are the totally fabulous Genevieve Morris, Geoff Paine, Julia Zemiro, Ross Daniels, Russell Fletcher and pianist extraordinaire John Thorn. They play characters plucked from every community musical group – each aspiring to me so much more than they ever will be. In character, they work with audience suggestions and improvise a song from the potential musical.
 
The audience vote for their favourite and then the whole cast improvise the entire musical. “Port Phillip: the Musical” won, due to its unforgettable romantic duet “Dredge My Bay”. Ok - “Port Phillip: the Musical” won, due to the innuendo as its lesbian leads sang “Dredge My Bay”. Relevant, local, environmental and sexual politics – what more could you possibly want!
 
This is an absolute must for musical fans. Parody only succeeds when the performers intimately know and love a genre. This group know their musicals, but its appeal is much broader. See it for the skill of the impro or just because you will be assured an afternoon of non-stop laughter.
 
Spontaneous Broadway is at The Famous Spiegeltent on Saturday 17 and 24 November. As it was standing room only this week, booking is recommended.
 
PS – I have to mention Chad Bradley, just so he gets a mention in at least one review.
 
This review originally appeared on AussieThearte.com.