08 October 2012

Not Fringe review previews

Red Stitch Actors Theatre
6 October 2012
Red Stitch
to 3 November

Hamlet, philosophy, temptation, indulgences (the paid for kind), Banksy rats, coffee and the quill. Welcome to Wittenberg, Germany, in 1517.

Here a young Danish prince, who looks like he's stepped out of Brideshead Revisited, discusses life (or not), the universe and salvation with his university professors John Faustus and Martin Luther, who, despite the odd disagreement, are best mates who regularly enjoy a tankard together.

Sub-titled as a tragical-comical-historical in two acts, David Davalos's 2008 play is a post-modern-ish mash up of philosophy, literature, university politics and the Protestant Reformation. What more do you need to know?


Promises, Promises
The Production Company
3 October 2012
The State Theatre, Arts Centre Melbourne
to 7 October

The Production Company finish their 2012 season with 1968's Promises, Promises and, for all its promise, it seemed to leave its audience perplexed. This is the first time I've been at Production Company opening night that didn't end with a standing ovation.

Promises, Promises opened on Broadway in 1968, the West End in 1969 and only came back to Broadway in 2010. Based on Billy Wilder's film The Apartment (written for Jack Lemmon and staring Shirley Maclaine and Fred MacMurray), it's a one-off collaboration between Burt Bacharach (music), Hal David (lyrics) and Neil Simon (book); names that should righty leave any theatre lover drooling.



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